Expanded Interiors Re-Staged - Photographic documentation of the exhibition - gallery 3 - Rosie Morris

Images for the Expanded Interiors Re-Staged commission in gallery 3: Rosie Morris: In / out / of this world have to be credited to the artist Rosie Morris and the respective photographer: Colin Davidson, Sam Grant, Rosie Morris (Please see file name for information)

Gallery 3 titled In / out / of this world at the Hatton Gallery exhibits Rosie Morris’s Expanded Interiors Re-Staged commission and installation In / out / of this world, which comprises of ‘Sunlit walls’, large-scale digital prints of drawings; ‘Curtains’, an oil painting; ‘This chamber of mine’, a diorama; ‘From where I sit’, a photograph; and ‘Threshold’ a video projection and vinyl floor. This dataset contains images of In / out / of this world and all the artworks, together with the wall and interpretation leaflet texts (PDF documents) for Gallery 3.

The Expanded Interiors Re-Staged commission was part of the Expanded Interiors Re-Staged exhibition, which forms one of the key outputs of the Expanded Interiors Re-Staged project.

The exhibition, Expanded Interiors Re-Staged, relocated to Newcastle’s Hatton Gallery contemporary installations created by visual artist Catrin Huber as part of an earlier project, Expanded Interiors, which had been sited and displayed at the UNESCO World Heritage Sites of Herculaneum and Pompeii. The installations sited at the House of the Beautiful Courtyard in Herculaneum and the House of the Cryptoporticus in Pompeii, had responded to and were in dialogue with the specific nature of the buildings and wall paintings from these two Roman houses. They were shown in situ from May 2018 – January 2019.

In the Hatton Gallery in Newcastle these installations were exhibited alongside new work developed by Catrin Huber to set them in a fresh dialogue in a new context, with the distinctive architecture of the Hatton Gallery.

Artist Rosie Morris, who was part of the original Expanded Interiors research team was commissioned to develop her own contemporary installation in response to the research done within the Roman houses, and the new venue.