Expanded Interiors Re-Staged - Photographic documentation of the exhibition - all gallery spaces

<div>Please read in conjunction with the <b>Project Overview Metadata</b></div><div><br> </div><p><b>Images </b>of the exhibition <i>Expanded Interiors Re-Staged</i> at The Hatton Gallery have to be <b>credited </b>to the exhibited artists, Catrin Huber or Rosie Morris and the respective photographer: Colin Davidson, Sam Grant, Catrin Huber, Rosie Morris (Please see file name for information) <br></p><p><b><br></b></p><p>This<b> dataset </b>contains images of <b>all four galleries </b>of the <i>Expanded Interiors Re-Staged</i> exhibition, and also wall and interpretation leaflet texts.<br></p><p><br></p><p><b> Please note</b> that there are additional datasets for each gallery space with further photographic documentation.</p><br><p><b>Gallery 1</b> titled <b>Along and Through</b> at the Hatton Gallery exhibits Catrin Huber’s installation ‘<i>Along and Through’,</i> a large-scale painting installation, which was originally exhibited at the House of the Cryptoporticus in Pompeii (July 2018 – January 2019). <br></p><p><br></p> <p><b>Gallery 2</b> titled <b>The Corner Escape </b>at the Hatton Gallery exhibits Catrin Huber’s installation ‘<i>Around and Up</i>”, a large-scale painting installation, which was originally exhibited at the House of the Cryptoporticus in Pompeii (July 2018 – January 2019). It also displayed ‘<i>The Corner Escape’</i>, a wall paper drawing / painting. <br></p><p><br></p> <p> </p> <p><b>Gallery 3</b> titled <b>In / out / of this world </b>at the Hatton Gallery exhibits Rosie Morris’s <i>Expanded Interiors Re-Staged</i> commission and installation <b>In / out / of this world, </b>which comprises of<b> ‘</b><i>Sunlit walls’</i><b>, </b>large-scale digital prints of drawings; ‘<i>Curtains’, </i>an oil painting; ‘<i>This chamber of mine’, </i>a diorama; ‘<i>From where I sit’</i>, a photograph; and ‘Threshold’ a video projection and vinyl floor.<b> </b></p><p><br></p> <p><b>Gallery 4</b> titled<b> Light Trap </b>at the Hatton Gallery exhibits Catrin Huber’s installation ‘<i>Bella Ciao’ </i>a large-scale installation comprising scaffolding-like construction, prints on persplex, 3D printed replicas of Roman statues. ‘<i>Bella Ciao’</i> was originally exhibited at the House of the Beautiful Courtyard in Herculaneum (May 2018 – January 2019). <b>Light Trap</b> also displayed <i>Black Hole</i>, <i>Asteroids</i>, and <i>White Dwarf</i>, textile wall hangings of various sizes; and <i>Light Trap, </i>a 3D real-time environment (documentation and artwork) showing Huber’s installations within the interiors of the House of the Cryptoporticus and the House of the Beautiful Coutyard in Pompeii and Herculaneum.</p> <p><br></p> <p>The <i>Expanded Interiors Re-Staged</i> exhibition forms one of the key outputs of the <i>Expanded Interiors Re-Staged</i> project.</p><p><br></p> <p>The exhibition,<i> Expanded Interiors Re-Staged,</i> relocated to Newcastle’s Hatton Gallery contemporary installations created by visual artist Catrin Huber as part of an earlier project, <i>Expanded Interiors, </i>which had been sited<i> </i>and displayed at the UNESCO World Heritage Sites of Herculaneum and Pompeii. The installations sited at the House of the Beautiful Courtyard in Herculaneum and the House of the Cryptoporticus in Pompeii, had responded to and were in dialogue with the specific nature of the buildings and wall paintings from these two Roman houses. They were shown in situ from May 2018 – January 2019.</p><p><br></p> <p>In the Hatton Gallery in Newcastle these installations were exhibited alongside new work developed by Catrin Huber to set them in a fresh dialogue in a new context, with the distinctive architecture of the Hatton Gallery. </p> <p>Artist Rosie Morris, who was part of the original <em>Expanded Interiors</em> research team was commissioned to develop her own contemporary installation in response to the research done within the Roman houses, and the new venue</p> <p> </p>